EVOLVING INTO HUMDRUM
I think back to when I first joined the Air Force. I was a terrible Airman as far as military bearing. However, I loved being a mechanic, especially when it came to electrical stuff. In fact, I was good enough that my bosses tended to overlook my personal foibles with my wrinkled uniform and ratty hair because I got things fixed. The other side of the coin was that because I got things fixed, and because I had a natural ability with multiple choice tests, I worked myself right out of what I loved doing. In one respect, I shot myself in the foot. On the other hand, I did my body a world of good and though I’m paying for it now with plenty of health issues, it could’ve been worse. The point is that I evolved. That made me think of characters in series that evolve. The intent is well-meaning, but the end result can ruin a good thing.
I think about some of my favorite rock bands. I often loved their first few albums, but then the musicians got bored, or decided to evolve their sound to become more commercial. They changed into something I didn’t like much anymore. I look at the huge album shelf next to me, as I type this, and see bands with one or two out of five or more albums that are great, while the rest are just meh. The thing is, those meh albums are usually their biggest sellers. Go figure. Then again, after those big sellers, they all faded as musical tastes changed and the bands broke up for various reasons.
TV shows usually have a much shorter shelf life. The first few shows start with a bang, the thing that attracts audiences to them in the first place. However, the writers and the audience get bored real fast and the pressure is on to “evolve” the characters to keep the numbers up. Before long, the show may either flop or become way more popular. More often than not, it will not be the same animal it was in those first few shows. Once that evolution takes place, it may very well fizzle out and that’s it. Shows that stick to a formula seem to last longer. They take a lot of flack for sticking to a formula, but they gain dedicated viewers who stay with them.
I’ve fallen in love with a book series, only to have the characters evolve into something I don’t like anymore. The characters and plotting will grow right out of what attracted me in the first place and become something a far cry from what I read in book one.
PROS AND CONS
Many readers love and expect characters to evolve. There are others that don’t. I think there’s room for both.
Some people think it’s mandatory to evolve, like there’s some cosmic rule that you have to evolve the characters, or what’s the point, and bla bla bla. I say bull. You don’t have to do anything. It’s your world you’re drawing. Why not be like AC/DC and don’t fix something that isn’t broken?
I have no issue with the character evolving a little. Maybe put in small changes or details along the way, but nothing that requires or forces the character to change character. A natural progression is fine as long as you don’t fix something that isn’t broken.
There’s no reason a character has to start as A and end up being Z.
In this short attention span world, it’s almost expected characters have to change or the audience gets bored. If we all bend to that, we’re playing right into that mentality.
I’ve always loved the Clive Cussler Dirk Pitt series. Over several decades, he’s written several dozen novels. My beef with Pitt is that though the series has been going now for several decades, Mr. Cussler chose to age Pitt along with the decades. Instead of keeping him young and not letting time get in the way of a good story, he threw realism in and aged him and gave him baggage. Pitt started as the young, dashing hero. Now he has a dead wife, is semi-retired from adventuring and has been promoted to director of his organization. His son and daughter do most of the heroics. That’s not exactly what attracted me to the series. I’ve aged right along with him, but though I still enjoy the series, it’s not quite the same. Yet, he still has his detractors who say it’s the same old thing, which is just a case of you can’t win.
On the other hand, the good old pulp stories of Doc Savage never had that issue. Though it’s been several decades since I last read them, but I don’t remember Doc evolving all that much. Ken Robeson, AKA Lester Dent didn’t fix something that wasn’t broke. He wrote 30+ great quick and dirty novels that gave me a great time.
It’s perfectly fine to evolve your characters if you want to. I do, to some extent. On the other hand, you don’t have to. You don’t have to fix something that isn’t broken. You don’t have to ruin something good. You don’t have to bend to the will of the short attention span crowd. On the other hand, that does buck the catering to a wider audience. Then again, there are authors out there cranking out what some call the same old stuff and they’re doing just fine, like Stuart Woods and ahem… Clive Cussler, according to his critics (yeah, go figure).